About Mandy Smith

Originally from Australia, Mandy Smith is an artist and author. She serves as Pastor at University Christian Church in Cincinnati, Ohio and is the creator of The Collect, a citywide trash-to-art project. Mandy lives with her professor husband and two children in a little house where the teapot is always warm. Mandy’s latest book, Making a Mess and Meeting God: Unruly Ideas and Everyday Experiments for Worship is available for purchase through Standard Publishing.

Acting Honestly

One of our family’s annual Christmas traditions is reading The Best Christmas Pageant Ever by Barbara Robinson. It’s a rather funny story of the time the Herdmans, a family of 6 kids, who were known to be the worst kids in town, took over the church Christmas pageant. They force their way into all the major parts, adding their own take on what it would mean to be Mary or a Shepherd or Wise Man (including burping baby Jesus and giving him a Christmas ham), in the process frustrating all who want the play to be “just so.” But in the simplicity, even in the imperfection and humanity of it, the reader finds a greater message.

I’ve seen many kinds of drama ministries doing various kinds of productions (and, as the daughter of a Drama teacher, have been in more than my fair share). But I’m sad to say that I’ve rarely seen it done well (or, indeed, done it well). Unless we have trained actors and huge budgets, it’s difficult for a church to pull off an ambitious or serious work of theater.

So how can we use the dramatic arts in a way which is still meaningful? Is there a unique kind of potential in dramatic works which are knowingly simple, low-budget, self-effacing or even tongue-in-cheek? If Christianity is supposed to be about humility, transparency and authenticity how can we reveal those things by making the most of our less-than-polished presentation? Often the issue with Christian drama isn’t that it’s low budget but that it’s trying to make faith look too pretty or it’s totally devoid of humor or it’s just trying too hard.

Look at how these examples use simplicity, humor, and authenticity. How can you adapt their style for your own dramatic arts endeavors?

To create a feeling of simplicity through set and costume design, flip through Stage It Right: Beautiful, Practical, Theatrical Ideas for On and Off the Stage by Lena Wood and Arian Armstrong (The design of the book is, in itself, inspiring!)

Watch these great examples of Christian sketches which are self-effacing through the use of humor (while still raising some important faith issues like “How present are we when we pray?” and “What is our motivation for kindness?”)

Two movies are being released this Fall which are worth mentioning: Higher Ground and Blue Like Jazz The Movie. They’re note-worthy because they represent, for the first time in my memory, cultural offerings which have a positive approach to faith without presenting it in an overly-simplified or sentimental way. They are more self-aware and more comfortable with complexity, irony and rawness than most Christian drama I’ve seen.

How will your costumes express simplicity? How can your actors communicate that they don’t take themselves too seriously? How will your script deal with both the darkness and the light?

Image © iStockphoto

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A Rabbi, a Priest and an Imam…

Some people love the idea of interfaith dialog. I don’t. I’m afraid I’ll put my foot in my mouth or that I’ll be misunderstood. I’m a tiny bit afraid someone might say something which brings my entire faith system crashing down around my ears. And yet, at the same time, I have been blessed by the opportunities I’ve had to interact with those of other faiths. For it to be meaningful, we have to be open to vulnerability, respectful listening and experience.

Vulnerability
I meet each week with three other women – one from a rural, conservative Christian upbringing, one who has a Jewish background but who now calls herself a seeker and a third whose spirituality has been largely shaped by her study and practice of yoga. One of our first conversations revealed to us how clumsy the word “God” really is. I remember it as one of the most formative conversations of my recent faith journey. Is God really an old man with a beard, sitting on a throne in the clouds? Is He even a “He”? If I believe that God is the source of all energy and all light, can I agree with someone who says their deity is Energy? Or Light? When theology let us down, we began using general terms like “goodness” and “creativity” and “source” and found more common ground. But when words continued to fail us, we sat on the floor, held hands, opened our hearts and prayed.

How does speaking with those of different faiths help us define our own faith?

Respectful Listening
A few years ago my biblical scholar husband was invited to take part in a panel discussion at a mega-church. Joining him on the panel were a Rabbi, a Buddhist theologian and an Imam (I know, it should have taken place in a bar). The facilitator had five questions and they each were given three minutes to answer a question before the facilitator moved to the next question. There was no debate, just an opportunity to respectfully hear what each speaker had to share.

The questions were:

  • What is the source of authority in your tradition?
  • How would you describe your deity?
  • What faith practices shape a believer’s daily life?
  • How do believers worship?
  • Is there a moral code and what happens when someone breaks it? How does a believer make things right again?

Create a panel discussion of your own. Provide the questions in advance (you may find you have to assure the guest speakers that they’re not going to be burned at the stake).

Experience
After spending this week over-thinking a faith issue of my own, I wrote this somewhat over-simplified comment on Facebook: “I’m reflecting on the fact that when people study faith by thinking about it, they often lose it. But when people study faith by living it, they often find it.” A thoughtful friend responded with a fascinating question about how this relates to how we study other religions: “Do we just study them intellectually? Do we have freedom to explore them experientially?” Is reading a book on comparative religions enough? How would attending a service or family faith tradition enrich our studies of other faiths? While avoiding taking part in aspects that would seem insincere to our hosts or unfaithful to our own tradition, how could we at least observe others in their worship?

Abraham’s Path is an organization which seeks to bring together those of all Abrahamic traditions (Muslims, Jews and Christians) through pilgrimages of various distances around the world. Go to their website to find a group near you or learn how to organize your own walk.

[A]s the insightful Catholic writer Father Andrew M. Greeley has observed, religion is ‘a collection of… “pictures”’ that we use to give order and meaning to our lives and everything around them. Viewing others’ ‘religious “pictures”’ and noting the contrast between what we see and what we’ve experienced in our own religious traditions can also deepen and solidify our own faith by making us consider how our tradition speaks to us, comforts us and challenges us.

Stuart M. Matlins and Arthur J. Magida in How to Be a Perfect Stranger: The Essential Religious Etiquette Handbook, xvi.

Image © iStockphoto

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The Better Story

When I was eleven, my best friend and I had a weakness for tween romance novels. So, we decided to write our own, naming our main character “Chrystal.” My friend would take home the composition book one night and write a chapter then I’d take it the next to add my chapter. But it was finished after only three chapters. Because it went like this:

Chapter One: Chrystal starts at a new school
Chapter Two: Chrystal sees a boy across the classroom and hopes he likes her
Chapter Three: Boy expresses his love for Chrystal
The End

We didn’t have time for conflict or suspense. The only thing we cared about was the kiss i.e. resolution. It was the worst story ever written.

Which brings to mind one of the best stories I’ve ever read, Yann Martel’s Life of Pi. Early in the story, the claim is made that this story will make you believe in God. Quite a tall order! (As the narrator, himself, admits.) Without giving away how the author attempts this, the following excerpt gives some insight into the author’s appreciation of the connection between God and story:

I can well imagine an atheist’s last words: ‘White, white! L-L-Love! My God!”–and his deathbed leap of faith. Whereas the agnostic, if he stays true to his reasonable self, if he stays beholden to dry, yeastless factuality, might try to explain the warm light bathing him by saying, “Possibly a f-f-failing oxygenation of the b-b-brain,” and, to the very end, lack imagination and miss the better story. p.64

As Life of Pi and many other great books have shown me, story has the power to help the reader experience God and, as such, can inform our theology. In conversations with my academic friends, when we’re sharing about important books which have shaped our faith and theology, I’m often surprised by how many of mine are stories.

Here are a few which have been life-changing:

A Severe Mercy by Sheldon Vanauken
A Wrinkle in Time by Madeleine L’Engle
The Princess and The Goblin and The Princess and Curdie by George MacDonald
Till We Have Faces by C.S. Lewis
Silence by Shusaku Endo (scheduled to be released as a major film by Martin Scorcese in 2013)

Read excerpts from these or books from this list at a worship event, or invite a few individuals to share a spiritual kind of book review (i.e. ask them to share how the book helped them see God in a new way).

Consider the bible’s overarching story (Creation, Fall, Redemption, The Church) and invite responses to it by asking questions like:

  • Why, if God knew that we would turn away, were humans created in the first place?
  • Why did God wait thousands of years between that moment of Fall and the fulfillment of the promise through Jesus to restore us?
  • And why, once we’d been restored to God through Jesus, did God decide to keep the world going for thousands more years?

Experience stories from the bible as the characters lived them: without knowing the resolution. Be Joseph in prison without knowing he would one day become second-in-command over the kingdom. Be Abraham at the altar with his son before he saw the ram in the bushes. Because that’s how we experience our own stories – they’re incomplete.

Invite worshipers to write a story of how God has worked in their own lives in the way bible stories are often told.

How can you view the whole service/worship event as a narrative? Consider elements of a story like setting, characters, sequence, exposition, conflict, climax and resolution to create your story-event.

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Menial and Meaningful

One afternoon, I took my trusty old hedge shears to the back garden to tackle some bushes. With my overgrown scissors, I sent green things flying. It wasn’t until a friendly neighbor called out and offered to loan me an electric hedge trimmer that I realized how much I was enjoying my work. While I politely said “No, thank-you,” I had to wonder, “How could he possibly suggest that I should replace the pleasing ‘thwack, thwack’ of my shears with an ungodly grunt?” Certainly, his power tool would make my work faster but I knew that once the point became doing the task quickly, the task would cease to be an opportunity for contemplation.

I had to laugh at myself and how much his generous offer had horrified me and, as I did, I looked over at my sorry garden. My plan had been to create a prayer garden but it was far from the serene reflection place that I had imagined. Its shady patches and rocky ground had proved too much my sophomoric gardening efforts and now it was a spot I came only to trim and weed. At this moment I admitted to myself for the first time that perhaps in the trimming and weeding I was praying more than I could have ever prayed on a pristine garden bench, surrounded by birdbaths and butterflies. As Mary Margaret Funk, drawing on the Benedictine tradition of manual labor, puts it,

Bodily work relieves pressures on the mind… My body restores rest to my overactive mind, and returns them to balance. Work is a back-door to pure prayer. For a proficient practitioner, who is working mindfully, there is not distinction between work and prayer. Prayer is work and work is prayer. (in Praying with the Benedictines: A Window on the Cloister, by Guerric DeBona, 14)

It’s common for us to think of work as service, which is certainly a kind of worship. But how can work also be the contemplative kind of worship?

How can we incorporate elements of this in a worship event? How can you encourage those who work to create the event to make that work also part of the worship? How can you provide opportunities for work for those who come to worship? Through a service project? Through having a meal together (and inviting everyone to be involved in the preparation for it)?

In our culture, we often place the highest value on the kind of work that engages the mind. But often those who do menial work have the opportunity to be more philosophical. Ask someone who works with their hands (a farmer, construction worker, cleaner) to share stories about the spiritual dimension of their kind of work.

How can a worship event draw on the community-building properties of work (as seen in this video of singing Ghanian fishermen)?

I had not been to any religious services for years… I had seldom been to a Catholic mass, and never as an adult. Thus, during the wedding, I had very little idea of what was going on around the altar or what the ritual actions and words were supposed to signify… But I watched the [communion] ceremony from far back in the big stone church. And at one point, I gasped. “Look at that! The priest is cleaning up! He’s doing the dishes!”… I found it remarkable – and still find it remarkable – that in that big, fancy church, after all of the dress-up and formalities of the wedding mass, homage was being paid to the lowly truth that we human beings must wash the dishes after we eat and drink. The chalice, which had held the very blood of Christ, was no exception. And I found it enormously comforting to see the priest as a kind of daft housewife, overdressed for the kitchen, in bulky robes, puttering about the altar, washing up after having served so great a meal to so many people. It brought the mass home to me and gave it meaning.

Kathleen Norris, The Quotidian Mysteries: Laundry, Liturgy and ‘Women’s Work’

Painting: Les Repasseuses (Women Ironing), Edgar Dégas (1884)

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Humming with the Angels

I have a confession to make: I’ve got some baggage when it comes to Christian Music.

You see, I’ve lived through the Contemporary Christian Music era and The Worship Wars, and played in worship bands where “worship” was synonymous with “feeling moved by music.”  So, for me, Christian Music, at its worst, can feel insincere, manipulative and feeble.

This is a travesty because Christian Music, at its best, has the power to fill a spirit like almost no other medium. There are many, many songs I can’t sing without being sure the angels are humming along.

This baggage and this belief in the power of music together drove me to make two lists, both of which I am happy to share with you:

  1. A list of questions I bring before all my worship leaders about the purpose and nature of music for worship so that they will approach it in a healthy, scriptural way.
  2. An ever-expanding playlist I call “Totally Un-Cheesy Christian Music” (By which, I mean that the artistic quality of these musicians is such that they are able to communicate, in an honest and transparent way, the complexities and full spectrum of emotions of the faithful life – but it’s easier just to say “Un-Cheesy.”)

Questions to discuss with worship leaders (guaranteed to spark some interesting conversations):

Why do we have music on Sundays? Does worship equal music?

What’s the difference between performance and worship leading? How can musicians be pastors?

What does it mean to lead the congregation? How do you invite people to join in?

What does it mean to lead the musicians? How will you create community among the choir/band members?

What musical styles work best for our setting? Are there any that wouldn’t work? Why/why not?

Where is the place between quality which is so good it draws attention to itself and quality which is so bad it draws attention to itself?

How will you respond if the congregation is not very outwardly responsive to music? How do the responses of introverts, intellectuals and contemplatives differ from those of extroverts or more emotionally- and physically-expressive personalities? How can we give all kinds of people permission (not pressure) to engage?

What is the difference between corporate and private worship?  How can you remind worshipers that they worship as a community?

Familiar music is comforting but new music brings freshness.  How will you balance the two?

How will you measure “success” in what you do?

What would you add to the list of conversation-starter questions for worship leaders?

Totally Uncheesy Contemporary Christian Music:

Check out these totally un-cheesy artists and albums:

  • You’ll see why the band chose the name, The Innocence Mission when you listen to their collection of hymns, Christ Is My Hope.
  • All kinds of hymns are hidden among the Christmas songs on Sufjan Stevens’ five disc album, Songs for Christmas.
  • Almost all of the recordings by Sons of Korah are devoted to simple arrangements of the Psalms.
  • Aradhna is an Indian-American Fusion band whose lyrics are Christ-centered but composed primarily in Hindi language.
What songs or artists would you add to the list?

 

[I]t’s important that we urge our congregants not to think of the worship service as a concert hall, as a time that we come to receive something, but to think of our worship service as a banquet hall where we come to participate in something together. While so many churches around the country are being divided by music, what I’m excited about . . . is seeing communities strengthened and unified through the songs that we sing. - Isaac Wardell of Bifrost Arts

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