What the Spirit Sees

Visio Divina is based on the principle that art can transport – both the artist and the viewer.

When a pleasant afternoon among the pretty pictures turned frightening, I began to value the (sometimes unsettling) power of art. Wandering among strange, brown sacks suspended from the ceiling in a modern art museum, I pondered, “Is it a collection of punching bags?” Suddenly, I came to the realization that I was caught in something depicting a forest of hanging, human corpses, and, with heart pumping, I quickly discovered how hard it is to move with the sophisticated dignity of a museum-goer when filled with a desire to run for your life. Engaging with the art of others can be a powerful experience.

Of course, if you’re brave, you can go to a nearby gallery but here are some other ways to reflect on the art of others:

The Google art project invites you to choose an international museum and go for a virtual tour. From the comfort of your own home, you can zoom in close enough to see brush strokes on your favorite works from all over the world.

Through his video diary and close-ups of the finished work, explore how icon artist, Jim Janknegt brought to life the Rich Fool Parable.

Read the Through Artists’ Eyes books which explore bible-inspired painting, sculpture and stained glass.

On the other hand, I’ve also been caught off guard in my own (albeit humble) creative process. Despite the fact that I was the one who instigated this second instance of “a pleasant afternoon” in the presence of art, yet again, the art ended up calling the shots. This time it was more surprising because I was the one holding the brush. I had been commissioned to create a work for a friend’s Easter services and wanted to express the loneliness of Christ on the cross. With fat swipes of greenish-gray across his cheekbone, I tried to express Jesus’ nausea and loneliness, stranded between heaven and earth. And in the midst of all the layers of paint, I found a fine, fair hair had made its way from my own head. My first instinct was to pluck it out but it seemed more fitting to leave it, as a testimony to my own part in His loneliness. And, in acknowledgement of that truth, my tears mingled in the paint and remain dried into that image to this day.

Taking part in your own expression of art can also be transforming.

Here are ways to encounter truth through your own creative endeavors:

Try this simple, collage journaling exercise:
If you can avoid getting drawn into the advertisements, flipping through magazines or old books can be quite a contemplative experience. Begin with a general sense of something you’d like to process or express and tear out words or images which your eye is drawn to. It’s a kind of Rorschach test without the inkblots as you discover that certain themes emerge in your collection–maybe you’re feeling free so you clip images of butterflies or you’re trying to make a big decision so you clip question marks and words like “Direction.” Flip through the scraps you’ve chosen and think about how to bring them together into a story or image.

I created this collage as a kind of art therapy to process a trip to the bed-side of a dying family member which also involved non-stop rain and floods and raised the question, “Where is home?”

Artist, C. Pic Michel, has created a similar exercise for groups.

Flip through this online gallery of Christian artist’s self-portraits to see what their work means to them.

If you feel a little insecure about your artistic abilities, try the scribbler site (or app) and watch what one scribble can become.

Watch this inspiring video about the tradition of contemplative sand drawing from the Pacific Islands of Vanuatu. Hear how, in their culture, drawing allows one to enter Paradise.

Look into Sybil MacBeth’s Praying in Color book and website.

What has your spirit seen?

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How To Kill An Artist

So I have to start this with a disclaimer: I absolutely believe that we are all creative, that we are all designed to be artists, artistic, incarnational. We get this cognitively at least, but often wonder why we aren’t artists, right? I hear you. I have that feeling/thought/Inner Critic very, very often. It seems to me that our two greatest obstacles to finding our way into our artistic self are 1) not trusting that our expression is valid. For that, thank goodness, we have therapy and 2) being more in love with the idea of being an artist than actually being one. No doubt, we all know somebody like that. As George Bernard Shaw said, “Hell is full of amateur musicians.” My take on that – hell is full of people more down with others perceiving them as artists (it’s all about them) than actually being disciplined enough to work on music (it’s about the art). And, um, that’s just a joke, by the way.

All that being said, I also believe that some people come onto this earth with a certain insight, a unique intuition, a vision. And they see with such great breadth and depth into the tension of light and dark, redemption and decay that they can only speak of it through story, image, sculpture, theatre, dance, poetry, song. These people are Artists.

We look for light, but all is darkness;
for brightness, but we walk in deep shadows.
Like the blind we grope along the wall,
feeling our way like people without eyes
At midday we stumble as if it were twilight;
among the strong, we are like the dead.
We all growl like bears;
we moan mournfully like doves.
We look for justice, but find none;
for deliverance, but it is far away.

This poetry spills out over us. We know what this means, how this looks and feels. This was written by a poet who stood in the gap between the light and the dark, between all that is broken and all that is restored. He wrote books of poetry that gave voice to the human condition, to our search for what is True and beautiful, for the upside-downness of incarnation. And then, allegedly, he was sawn in half.

This poet was Isaiah, the prophet whose writing takes up that big chunk about two-thirds of the way into your Bible. Isaiah. Artist. Poet. Prophet.

Here’s the thing: I think the Artists, all of them regardless of their stated spiritual persuasion, are prophets and priests. This isn’t just my random speculation. If you have the patience and wherewithal to plow through the books that make up the Old Testament, you’ll see story after story about the Priests – the tribes set aside for pastoral acts – carrying out the role of artists, tradition preservers, craftsman. And you’ll read story after story about more powerful people moving in and wiping out the Israelites… except for the Artists who were carted away with the “goods” of the land. They were one of the precious commodities of the people.

The world has a love-hate relationship with the Artist, the Church even more so. On one hand, we want them to illuminate our own understanding. We love it when they put poetic words to our experience and immortalize it for us. We crave the thrill of story, the epiphany of an image, the sensuality of a truly remarkable artistic encounter. We applaud those creative endeavors that tell our story and remind us of our power or our redemption. But then the Artist must also tell the Truth. And that makes us uncomfortable. It makes us squirm. It makes us look away. We label it: indecent, confusing, dark, sacrilegious.

So you want to kill the Artists? Here’s how to do it: Tell them to make people happy. Tell them who GOD is and what “he” looks like, sounds like, feels like and tell them to recreate it for the rest of us. Tell them what it has to mean. Tell them it has to be “beautiful.” Tell them the point has to be clear. Tell them it has to be “accessible.” Or “relevant.” Or more like U2. Tell them that they are too avant-garde, or better yet, elitist. Use them to create sanitized, spiritual propaganda. Re-use their work in a way that promotes sentimentality or emotional dishonesty. Dismiss them because they don’t see it the way the masses see it. Divide their soul into the categories of sacred and secular.

Kill them off. They don’t play well with others, or appreciate the sanctity of sanitized faith, or respect our boundaries, or keep their opinions to themselves. Kill them all. That’s usually how it works. Of course, then another just rolls around. Sometimes we get excited because they’re cool like Bono and we dislocate our shoulders patting ourselves on the back that we’re embracing art. (At the risk of getting myself killed, I must say that Bono is much more Prophet than he is Artist. And I love him for that.) But the real Artists, the voices that sing silently from the unpopulated corners about where we’ve come from and where we’re going… well, they’re just too… everything.

Yet what do we do with this? The Artists. They overturn. Heal. Disturb. Comfort. Give words to our groaning. Challenge. Proclaim. Make peace. Restore. Illuminate.

That reminds me of something… oh yeah, The Holy Spirit.

Image © iStockphoto

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Has a work of art ever drawn you closer to God?

If you have ever “pastored” a group of people you know that the task requires nothing short of creativity. Shepherding disciples of Jesus is like making art in many other ways, too. It is messy. It is a combination of learned skill and intuition. And, it has a lot to do with influence.

While we might begin to see how pastoring resembles an art form, the reverse is much less frequently asserted. Artists are not pastors. In fact, the prototypical artist is assumed to have many non-pastoral characteristics. They are flaky. They have their heads in the clouds. They fly solo. Their main pursuit is their art, not other people.

Still, recently there’s been some buzz about a new kind of artist, the artist-priest who prophesies, guides, leads, perhaps even “shepherds” people in the context of the community of God. Blaine Hogan put it this way in an essay he wrote for the 2010 Story conference:

There is a new kind of pastoring afoot. It is dynamic, ferociously creative, beautiful. This pastoring is happening in all corners of the globe, in fact. It evokes our deepest desires. It compels us to venture out and hope for true shalom, wholeness, redemption and restoration. It makes up the fabric of communities that are curing this terrible disease of loneliness. It is truly a work of art… Every time you pick up a camera, a pen, a laptop, or a notebook, it is beauty-making at its most basic. And through your beauty-making, you are becoming the New Pastors of the 21st Century.

Artists create beauty. Beauty ‘evokes… deepest desires’ in people; in lonely, hopeless, and fragmented people. It evokes desires for friendship, peace, hope, and reconciliation. These are things God can provide. These are things God does provide, through Jesus.

Can you begin to catch a glimpse at how the artist can be a pastor?

As we contemplate the artist as pastor this week, there is another question that might function as a simpler entry-point: Have you ever learned something true about yourself, the universe, or God simply by beholding some human creation of beauty?

If so, you may have been pastored unawares. By an artist, nonetheless.

In the comments below, share with us about a time when a piece of art drew you to God by its beauty. What was the art? Who was the artist? How were you moved? What was the result?

For me, the most spiritually influential forms of art are... (choose two)

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What does worship ‘feel’ like?

I’m on the plane having just departed Raleigh-Durham International airport on my way to Burbank via Dallas. (Don’t judge me. They have approved the use of electronic devices.) The Clayfire team has just come off our (and everyone’s) very first Wild Goose Festival experience. I am already certain that this will be the first of many Wild Goose Fests in the years to come. The event was packed full of inspiring sights and sounds, conversations and experiences, stories and moments, friends – old and new.

Personally, I am only beginning to process what this confab means, but I can say that generally speaking I judge it a great success. All around us was an air of joy, peace, and a genuine sense of harmony – despite the perspectival diversity even among so-called “progressive” Christians.

This week on Curator, we’re going to talk about the Wild Goose. Jodi-Renee Adams plans to share on Tuesday about a discussion lead by Tony Jones around the simple/complex question: Why pray? On Wednesday, Mandy Smith will give us some background on the Celtic metaphor chosen for this convergence. We’re working on a guest blogger for Friday who will report on the festival’s worship from a experiential perspective. Thursday, I plan to share my thoughts on how worship fit (or didn’t) at this intersection of spirituality, justice and art.

Speaking of spirituality, justice, art (and worship), I want to tell you about the activity we invited all visitors at the Clayfire booth to engage. We printed up several hundred name-tag stickers. Each had one of three fill-in-the-blank statements on them:

Friday’s sticker was Spirituality tastes like…
Saturday’s was Art smells like…
Sunday’s was Justice sounds like…

Everyone was asked to complete the statement on their sticker and then wear it for the rest of the day. We snapped photos of all the responses and later this week you can view them on the Clayfire Flickr page.

As you may have noticed, “worship” is patently missing not only from our little art exercise, but also from the chosen trinity of festival foci. Let’s remedy this now! Whether you were in attendance or not, take this opportunity to extend our imagining.

Consider the sentence: Worship feels like… How do you finish it? We are not asking you to tell us how worship ‘makes you feel’ emotionally. Rather, in a very literal sense, we want you to share a ‘tactile’ metaphor for the human response to a holy God.

So… what’ll it be? Need a kickstart? Try this week’s Poll for some ready-made answers. Maybe you’ll find just the right simile there or perhaps the items we’ve ‘touched’ on will prompt another creative word out of you. If you come up with your own, please share it in the comments of this post.

Finish this statement: Worship feels like...

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The Three-Legged Stool

Hello, Clayfire Curator friends!

I’ve been enjoying this Clayfire community conversation and am thrilled to be taking part in it more regularly. Each Wednesday I’ll be sharing practical ways to apply the theme of the week. Sometimes I’ll offer creativity-starters to help you invent your own ideas, sometimes I’ll give ready-to-go worship experiments. I hope that you find something helpful for your worship context. Of course, feel free to take my ideas and give them a tweak.  I’d love to hear how these became something new in your setting or find out about totally new ideas you’ve come up with–it’s always amazing to see how God shows himself through the collaborative process. As we’re remembering this week, God himself is a collaborative being… even with His own self!

And since this week’s theme is Trinitarian Worship, if you’re planning to incorporate Trinitarian-thinking, here’s a starting question to ask: How can we create a metaphor of one entity expressing itself in three distinct, yet harmonious, ways?

Here are a few ideas that come to mind:

Through music:
Ask the choir to sing in three-part harmony. Or, get a trio of musicians to play or sing, placing each at a different place in the worship space so that they are distinct and yet their music blends into one sound.

Through metaphor:
Use an image of a tree with three branches. Either find a small, live tree in a pot or use the image on boards or slides. Somehow incorporate a three-legged stool.

Through story:
Invite an individual (or several) to share a story of three roles they play (eg. daughter, wife, employee), how they function differently in each and how each role informs/inspires the other. These could be spoken aloud or shared in writing. Worshippers could also be invited to write their own.

An interactive art piece:
Using three large squares of plexi-glass or glass, trace the three parts of the classic Trinity knot, one on each square. (Be sure the material you use is pretty transparent.) This will mean having a leaf-like shape on each square but each leaf shape will be at a different angle so that when all 3 sheets are overlapped, they create this one knot shape.

Place the three glass or plexi-glass squares in different places around the worship space and ask worshippers to move around and respond. Provide paint or markers and on one sheet, invite them to add words or images associated with the Father, on another, words or images associated with the Son and on the final, words or images associated with the Holy Spirit.  At each station, provide printed scriptures which refer to the roles of each member of the Godhead as a starting place. When the three individual leaf shapes are complete, bring them together to create the trinity knot.

Alternatively, if you have a smaller budget and/or want individuals to take their knot home, provide each worshipper with three sheets of vellum or tracing paper and allow them to create this same project on a smaller scale.

What are some of the ways you’ve curated Trinity in your community? Any creative plans for this coming Sunday? Please comment below and share with us some of your attempts at creatively communicating the triune nature of God.

Image © iStockphoto

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