Ask the Curator: August Project Results

We asked our readers to come up with questions about worship curation for the person who coined the term (Mark Pierson) to answer in his presentation at STORY, Chicago (September 15-16). Several excellent questions were submitted covering different aspects of curation including context, leadership, and artistic approach.

Congratulations to Kathy Keener-Han for winning a 30 min Skype call with Mark for her question!

Read the submissions here and take note that in late September, we’ll be posting the full audio of Mark’s answers:


Mark, how can the model of curating be applied in a more traditional liturgical setting, like the Lutheran church I currently serve in, where it seems that creativity is often scoffed at as “contemporary”?

Drew Yoos, Lutheran youth minister in South Carolina, USA

How do you avoid worship becoming about emotionalism while trying to set a reflective tone with young people?

Russell Lloyd, Creative director for a school mission organization in Melbourne, Victoria, AU

What is the worst thing you can do as a curator to make worship difficult for your community? (We recognise the small mistakes we make, but what are the bigger fundamental errors?)

Alison Squires, Christian aid and development worker in Auckland, NZ

Do you play to both literalist and allegorical readings of the text/theme? Do you find that if you play to one, that you “lose” the others who “don’t get it?” What kind of choices do you make to comfort and stretch people from their ways of seeing and knowing?

Kathy Keener-Han, PCUSA interim pastor in Appleton, Wisconsin, USA

You suggest in your book that being attentive to community needs and input is important, but trying to curate a worship experience as a team is difficult. As a curator do you have any advice about balancing the input of others with your creative vision for a worship experience?

Brian Beckstrom, Campus pastor in Waverly, Iowa, USA

How can interactivity be integrated in the standard Evangelical or non-denominational style worship service? The performer/congregant paradigm doesn’t readily accomodate community and collaboration, yet it seems to be growing in terms of “market share” of churches using this model. Rather than shoehorning competitive models (liturgical, pentecostal) into the Evangelical world, how can the Evangelical model be challenged, subverted, or mutated into a curation-friendly service?

Paul Gratton, Weiv interactive worship tool designer, Prineville, Oregon, USA

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August Project: Ask the Curator

The Project Pith: Come up with a question for Mark Pierson to answer about curating worship. Send it to us.

The Story conference, September 15-16, is a “conference for the creative class.” Practitioners from all creative fields are invited, including artists, filmmakers, musicians, authors, and worship curators.

Mark Pierson will be making a presentation at this conference in Chicago. We wondered with Mark what would be most helpful to creatives who come to hear him talk about curating worship – some of them for the very first time. The answer? Questions! What better way to get to the heart of a subject than to answer real questions from real people in that particular field?

We are inviting you to submit your questions about curation. Mark will take a selection of these questions and answer them during his presentation.

Objective
To participate, you simply need to come up with a question about curating worship.

Think about the concept of curating. What about this approach is unclear or confusing? Ask a question about it. Consider your own worship design practices. What are the particular challenges you face when you are curating in your local context? Ask a question about it. How about art? Do you ever wonder about the practicality and propriety of certain art forms for worship? Ask a question about it.

Deadline and Results
All questions are due by the end of the day, Wednesday, August 31. Ten questions will be selected to be used in Mark’s presentation. You may submit as many questions as you want.

But wait, there’s more! If your question is one of the ten, you will be entered into a drawing for a 30-minute Skype call with Mark Pierson. (At which time the rest of your questions can be answered!)

All submissions will be shared in a blog post, the week of September 5.

Requirements
Use this form to send us your question. Fill out the form completely, including a bit about your worship context and your specific role in it. Include your contact information so we can reach you when you win!

Mark is looking forward to your help in making his presentation meaningful for those who attend it. We are looking forward to your questions, even as they might provoke more thoughtful conversation here at Clayfire Curator. Ask away!

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Without Me, You’re Nothin: Reframing Trinity

Effective worship curation often results from thoughtful reframing. Reframing, Mark Pierson says, “relies on the idea that the meaning of an event, and our emotional response to it, depends on the context in which the event is perceived.” Pierson goes on to explain that reframing as a worship curation practice involves “taking something from nonworship culture – a song, movie, saying, piece of art – and using it in worship.” (The Art of Curating Worship, 79)

When you walk into a barn shed and come across a three-legged stool, the meaning perceived in that context is: “cow milking aid.” However, move the three-legged stool into a worship gathering for Holy Trinity Sunday and the meaning we get is: “metaphor for Trinity.”

This kind of reframing can freshen up our worship. The new juxtaposition we invent by simply moving an object from its common place over into a foreign context forces peoples’ minds to engage the object with altered perspective. At best, this yields spiritual epiphany. At the very least, it leads to challenging and new spiritual questions.

In addition to this kind of “objective” reframing, there is reframing we might call “subject-ive.” Instead of reframing an artifact (i.e. a stool) we can choose to reframe an entire topic. In other words, we can reframe the big idea of our gathering and ‘force’ those gathered to engage the subject of our worship event from a different angle.

I alluded to this in last week’s post about curating Pentecost. While Pentecost is typically viewed as a time to celebrate the coming of the promised Spirit, we can reframe this holy day as an illustration of God’s desire for unity through diversity. Through this theological reframing, we catch people off guard – especially those who have a particular, ingrained (ingrown in some cases) theological spin.

Sunday is Trinity Sunday. This may be the only holy day on the Christian calendar that celebrates a reality rather than an event. On Trinity Sunday, we recognize in our worship the triune nature of the one to whom we bow. Objective reframing for this theme could include the three-legged stool example above. It could also include the other examples shared yesterday by Mandy Smith. Certain items are taken – a tree, a piece of music, a story about personal roles – and placed in the context of worship, specifically worship focused on God in three persons. This reframing of objects yields success, even as people are sent out from worship and come across a three-branched tree or Bach Fugue and are reminded again of Father, Son, and Spirit.

But, what would reframing the entire theme look like in this case? Can we imagine another legitimate focus for Trinity Sunday – one other than simply contemplating the mysterious existence of a God who is one in essence, yet three in personage? As with Pentecost (and virtually every other holy day or big idea in scripture) there is another angle. In fact, there are often a number of legitimate theological angles for every worship topic. In this case, Trinity Sunday can legitimately be reframed as a holiday that is essentially all about loving others. Perhaps this requires a little explanation.

The approach to reframing Trinity in terms of loving relationships emerges from Eastern Orthodox theology. John Zizioulas (a twentieth century theologian and current bishop of Pergamon, Greece) is the modern reframer of Trinity as “communion,” picking up where the Cappadocian fathers left off in the fourth century, CE. Fuller professor of systematic theology, Veli-Matti Kärkkäinen translates and condenses Zizioulas for us:

God cannot be known as “God,” only as trinitarian persons in communion: “Man can approach God only through the Son and in the Holy Spirit.” Outside the Trinity there is no God. In other words, God’s being coincides with God’s communal personhood. For Zizioulas, then, the being of God could be known only through personal relationships and personal love. Being means life, and life means communion. (The Doctrine of God, 137)*

Being means life. Life means communion. This is in conflict with the ancient Greek view of the unique individual as a “person,” a view widely held today within and without Christian circles. For Zizioulas and the fourth century Eastern fathers “person” does not/cannot exist outside of relationship. Our being is defined not by our singular, discrete essence, but precisely by our relationship to other people.

Triune God is the prime example of this kind of communion. Taking the evidence of scripture together, there is no God without the intimate, loving relationship exchanged between Father, Son, and Spirit. In reflection of the one after whom we were created, we do not ‘exist’ except in reference to others and especially in relation to the I AM who granted us being.

This is what Mark Galli means when he says that “… our primary duty in life… [is] to love others so that they can come into existence.”

Wouldn’t your Trinity Sunday curation take on a whole new flavor if you went with this angle? What if your answer to ‘what do I want to say?’ becomes: “God’s interpersonal relationship is our model for loving others into existence.” What song lyrics would you sing? In which direction would the Eucharist move? Would you still emphasize the vertical? Or would the horizontal be emphasized more?

Next time you are planning for a holy day or a scripture text for which you’ve curated worship more than once already, try seeking out an alternate theological perspective. Reframe the theme and then, within that new perspective, practice reframing cultural objects. This dual-reframing technique creates new opportunities for worshipers to authentically commune with one another and with God.

Image © iStockphoto


*Internal quotation from: Being as Communion: Studies in Personhood and Communion. Crestwood, NY: St. Vladimir’s Seminary Press, 1985.

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How Does Creation Care Figure into Your Worship Curation?

Mark Pierson claims that “the reason we come together as a church community is to sustain people in their following of Jesus Christ in the world.” (The Art of Curating Worship, 20-21)

This then must also be our motivation for curating worship. We design things in such a way that people leave the gathering better prepared for following Jesus than when they came in. But what about the “in the world” part? We do, indeed, follow Jesus in the world. And our world is crumbling (as it has been since the beginning).

Even if you don’t believe in global warming, you need only pick up your daily newspaper. Steven Bouma-Prediger in his book For the Beauty of the Earth lists off some actual headlines from one local southwest Michigan newspaper:

“Phosphorus in Macatawa Watershed Up”
“State Lost 854,000 Acres of Farmland in ’80′s”
“Zebra Mussels Move into New Waterways”
“Rust Dust Falling on Core City Neighborhood”
“Future Uncertain for Gray Wolf” (p. 39)

Chances are, you local paper contains similar headlines every day.

As curators, if we are to “sustain” people to follow Jesus in the world, we would do them a big favor to include in our worship design some help along the lines of caring for God’s creation. The way I see it, this can come in two primary forms. First, we might ensure that the messages conveyed through our worship – whether verbal or non – include a theology of creation care. Second, we might also take care in our actual curation to be responsible with the materials we use and the waste we create.

How does your church handle environmental concerns? How exactly does Creation Care figure into your worship planning? Have you found some unique ways to help people repair the world as they follow Jesus in it?

Share some your personal thoughts in the comments section of this post. Also, take a moment to register your vote in this week’s poll:

How "green" is your church? Choose the shade of green that comes closest to describing your community:

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How Do You Decide If Worship Is “Good” or a Success?

This post originally appeared on Creative Worship Tour, September 23, 2009.

Today I printed off the production file for the World Vision Australia worship I am curating in two weeks time. Ninety minutes of non-singing, art installation-based stations worship built around the theme of “Lingering With Intent” – the intent to hear from God, to give thanks to God, and to seek God’s guidance for the year ahead. More than thirty pages describing “what I want to say”, the site locations, concepts and design for each station, equipment lists, station notes and so on. Fifty iterations of thirteen different stations.

Thirty pages, eighty hours of my work, more from other peoples contributions, twelve people installing on the day before (five making the trip from New Zealand). I have already made two site visits, and will spend another four days on my next visit to install and curate and pack out the worship, for five-hundred people.

Is it all worth it? How will I know?

How do we measure the success or otherwise of worship? Should we? My early posts made it clear that I believe worship can be unsuccessful. What makes the difference?

I’m not talking about trying to evaluate or measure the worship of any individual, that can only be known by the individual and God. I’m interested in the degree to which the way the event is curated enables or hinders the worship of individuals and the community at the worship.

I believe very strongly that the way I curate a public worship event has a huge impact on the ability or not of people to worship (to respond to the Trinitarian community of God, heart soul, mind, strength, as I have defined worship previously). I believe this to be equally true of a community of faith at worship 11am Sunday and a sacred space curated in a public place for anyone to engage with at 3pm Wednesday.

It worries me that we too often do not, or are not willing to, evaluate what we do in worship. We somehow assume that because its worship, that God will take anything we offer, and that to evaluate that in any way is somehow just not appropriate. Again I would say that I am not concerned about the way people actually worship or the content of those interactions with God, but about evaluating the way I curate worship.

So how do I decide if worship is “good” or successful? How do I know if what I have prepared for World Vision is good worship? Not by counting the accolades from people as they leave, although an ego rub doesn’t go astray! And genuine responses, especially those that describe a specific response/encounter/experience are a welcome part of any evaluation. But they aren’t enough on their own, and a zero response does not necessarily indicate poor worship.

I decide before the worship begins.

If I have done the very best I can do given the resources available, I consider it good worship. The problem with this definition is that it doesn’t hold up for worship done by other people! You may have noticed that I can be quite critical of worship events I attend/participate in. It would be arrogant and presumptuous of me to assume that the curators of those events hadn’t given it their best. They probably have. What they lacked often was experience, or alternative models, or some basic principles. So I am in trouble with my definition.

I’ve not analysed this process of evaluation before, but here goes.

Giving it my best involves measuring myself against a number of elements:
1. Staying true to my working definition of worship.
2. Analysing the category of worship required (community, transitional, guerilla)
3. Carefully answering the question, “What do I want to say?”
4. Collaborating with people I trust to reflect back to me criticism and affirmation.
5. Being still long enough and often enough to hear what God is saying to me about what I am doing as I do it.
6. Constantly imagining the “congregation” responding and how they will know what is expected of them at any point. This helps me remember the range of “ages and stages” present and to clarify my instructions.
7. Praying and imagining through the whole event on paper. This helps me see segues and transitions that are needed, as well as how the elements flow or not.
8. Doing the work of exegesis and understanding well any biblical text involved.

What other criteria do you think are important?

So I “know” that this worship is good. Sounds arrogant but it isn’t. I am totally dependent on the Holy Spirit turning up in 500 different ways. I can’t engage people with God, but I can set them on a path toward that possibility. To do that I have used all the gifts, experience, intuition, creativity and knowledge that God has given me. I can do no more except pray that God will step into the gaps on the day. I believe she will.

What do you reckon? Have I missed the boat?

image © iStockphoto

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