Moving into this week and the theme of “Artist as Pastor” I made the personal assumption that an artist always has a particular spiritual function in the body of Christ. This idea is implied by Blaine Hogan in the post which inspired this whole exploration.
Prior to reading Hogan’s thoughts, I’ve often thought of the artist not in the role of Pastor, but in the role of Prophet. The more I mull over this topic, the more I am convinced that the Artist role in the church is neither. Or, rather, the Artist role is both, and more.
APEPT is an acronym that Alan Hirsch uses to describe the fivefold ministry of the saints in Ephesians chapter 4. It stands for: Apostle, Prophet, Evangelist, Pastor/Shepherd, Teacher. (It has been renamed APEST subsequent to the publishing of The Forgotten Ways.)
Hirsch concludes that these leader roles build upon one another. Apostle is foundational. An indication of its importance is that it always comes first in New Testament ministry lists. According to Alan, it is important because the apostolic role “creates the primary field of New Testament ministry.” (Hirsch, The Forgotten Ways, Brazos Press, 2006, 158.)
Think about it. An apostle (‘sent one’) is the first to visit an unreached people or neglected cultural group, introducing the idea of Jesus. With this introduction, a spiritual milieu is created into which the prophet can speak. The apostle has partnered with the Spirit to establish “the covenant community” (local church). The nature of this new community is then shaped by the prophet who calls the covenant people to deep faithfulness. Authentic and deep faithfulness is the fertile plain for the planting of evangelistic seeds. The evangelist makes the specific call to relationship with Jesus through the gospel. Without the prior work of apostle and prophet, the evangelist’s work is harder if not complete vanity. Next, as individuals hear God’s call through the evangelist, they are ready to be shepherded through a continuing process of discipleship. This is where the pastor role comes into play. Finally, the teacher gives explicit instruction in Christlikeness to disciples in process. (Go here for an excerpt of Hirsch’s book on APEPT/APEST, 169 ff.)
The local church needs all of these roles. They are all necessary and each builds upon the other. Leave one out and a vital aspect of the covenant community of God lags or is absent altogether.
This in mind, which would you say is the primary function of the artist? Apostle? Prophet? Evangelist? Pastor? Teacher? I am newly inclined to say that all of these are viable and realistic options.
What I’m saying is, the term Artist ought to be hyphenated in the realm of church leadership. Artist is not a synonym for Pastor. Artist is not a substitute term for Prophet. Artist belongs paired with one or more New Testament leader roles based on the individual artist’s spiritual gifts and calling. Then, the hyphenate “Artist” creatively modifies the leader role with which it is paired.
So, what might these Artist-hyphenates look like?
The Apostle-Artist: Creates art that develops an environment, which is open to spiritual dialogue, not necessarily dialogue of an explicitly Christian kind. Think missionary who spends several years learning-sharing culture in a foreign land before ever cracking a Bible with people.
The Prophet-Artist: Creates art that challenges the status-quo and re-envisions reality in kingdom of God terms. Think Old Testament prophet who’s job it was to “nurture, nourish, and evoke a consciousness and perception alternative to the consciousness and perception of the dominant culture around us.” See Walter Bruggemann’s The Prophetic Imagination (Fortress Press, 1978), 13.
The Evangelist-Artist: Creates art that explicitly articulates the gospel or tells of the kingdom. DON’T think kitschy bumper-stickers and graphic pamphlets.
The Pastor-Artist: Creates art that has a shepherding effect. Think liturgical art that nurtures disciples who gather for worship. Also, think non-liturgical art that somehow encourages the spiritual direction of followers of Christ, regardless of the venue in which it is seen, heard, smelled, tasted, or touched.
The Teacher-Artist: Creates art that provides specific training in Christ-likeness. Think Jesus with his parabolic tales and Rob Bell’s Nooma videos.
If you disagree with these hyphenated options for artistic roles in the church, I’d love to hear your response along with an alternative theory. If you agree, what I’d really like to know is: Which one are you?
Which New Testament leader role modifies your existence as an artist?







