Visio Divina and Averted Vision

This post was written by Ted Lyddon Hatten

From the corner of my eye,
I caught a glimpse of the Holy.
When I turned my head I saw
nothing.

The frozen cornfield in northwest Missouri was a good place to view the night sky, according to the TA of my college astronomy class. With exacting coordinates, my telescope was trained on a cluster of cosmic dust thousands of light-years from where I stood.

“You should see a nebula in your eyepiece, I was told. It will look like a smudge of light.”

Should see, I said under my breath, because every time I looked, I saw nothing but empty sky. The TA looked through my viewfinder, smiled, and said, Look again.

Thirty years later I see the wisdom of her pedagogy. Look. And then, look again.

There are, of course, many different ways to look. And how one looks determines what one sees. A zoologist and a creationist do not see the same. Your doctor and your lover look at you in different ways. As a result, they see different things.

Lectio divina (holy reading) is a contemplative way of looking at a sacred text. The process is less about scrutiny (the purview of exegesis) and more about presence (sitting with the language and images of a passage). Holy reading shares the same posture of openness to discovery that is found in an academic approach, however, the energy required is focused in a different way. The intense gaze of sound scholarship is vital to the development of a mature faith, but there are other ways of looking that lead to different truths.

Visio Divina (holy seeing) is a contemplative way of seeing that is often used in conjunction with its more its widely known sibling, lectio divina. But visio divina need not be limited to scripture. Holy seeing can help us see the Holy in the world around us at this very moment. Some of us seem to have a knack for spotting the presence of the Divine. Others of us exert considerable energy and intense concentration in the search but see nothing. We are, in many ways, blind to our blindness.

The difficulty I had in seeing the nebula in my viewfinder had nothing to do with astronomy. Biology was to blame.

The human eye has two types of light-gathering cells. Cones pick up color but are useless in dim light. Rods are blind to color because they specialize in light/shadow. My retina, like yours, is covered with a mixture of rods and cones, but the center of the eye is packed exclusively with cones. Rods, responsible for peripheral vision, are found on the periphery of the retina. I could not see the nebula, a smudge of light, because I was looking with the part of my eye that only sees color. When I looked to the left (about 10°) using my peripheral vision, the nebula blossomed before my eyes.

I suspect the TA smiled as she walked away because she knew I was about to experience something astronomers have known for thousands of years. It is called averted vision. The intense center of our gaze sees much of the world, but not all of it. Averting your gaze slightly allows another part of your eye to take in what it can see. In this case, it meant I could see the beautiful shades of light and dark of a nebula.

Metaphorically speaking, visio divina is like averted vision. It allows another part of our being the opportunity to search for (and occasionally find) the Divine in the margins of your field of vision. If scripture is to be believed, the Holy is inclined to seek the company of those on the periphery of power and privilege.

If it you want to see God, look. And then, look again.

From the corner of my eye,
I caught a glimpse of the Holy.

Text and Images © Ted Lyddon Hatten


Ted Lyddon Hatten is hierophant in residence at the Wesley House, Drake University, Des Moines, Iowa. He is an artist, theologian, educator, pastor, father, and life-partner. And, a United Methodist by birth and by choice. He works in a variety of media but is particularly fond of beeswax.

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Nays? 0. The Eyes Have It.

Jesus said ‘yes’ to eyes.

Once, he was confronted by two persistent blind men. Jesus asked if they believed he could heal them. The moment they said “Aye!” he declared them well, based on their faith (Mt. 9:27-29). (With an added touch of humor, Jesus commanded them, “See that no one knows about this.”) There are many other instances in the Gospels of physical eyes healed by Jesus.

Jesus said ‘yes’ to physical eyes. But, he was also concerned with spiritual eyes.

In Matthew 6:22-23 (TNIV), Jesus is quoted:

The eye is the lamp of the body. If your eyes are healthy, your whole body will be full of light. But if your eyes are unhealthy, your whole body will be full of darkness. If then the light within you is darkness, how great is that darkness!

I suppose one could argue that Jesus is talking here about physical eyes. Here is an example where literal interpretations fail miserably. Jesus is talking about the light of goodness. The light of God. Of course, he’s using the metaphor of physical light rays, entering our cornea, continuing on through our pupil and iris (the eye’s “aperture”), and focused by the muscular lens of the eye, through the vitreous gel of the eye-ball, onto the retinal wall at the back of the eye. But, what happens next? Scientists remain baffled when it comes to exactly how our brains convert reflected physical light through healthy eyes into mental images that are not only viewed in real-time, but are often stored nearly as vividly in our memory cache.

What does Jesus mean, “If your eyes are healthy, your whole body will be full of light.”?

This saying of Jesus follows a significant passage on prayer and fasting in the text. Could there be a connection between what we see – both physically and spiritually – and how we pray?

The great religions of Eastern Asia maintain a strong connection between sight and prayer. For the Hindu, the greatest act of worship one can perform is darśan (“seeing”). To see the crafted statue of Ganeśa (or of another one of thousands of gods) – and to ‘be seen’ by the god, through the eyes painted on stone, bronze, or wood – is an indispensable act of devotion and prayer. Generally speaking, in Buddhism (a religion birthed out of Hinduism), a similar practice of seeing and being seen by god is engaged.

In Christianity, we find some similarity between the Hindu practice of darśan and the Eastern Orthodox practice of icon veneration. In reference to Orthodox prayer, Henri Nouwen has said that icons “offer access, through the gate of the visible, to the mystery of the invisible.” (Nouwen, Behold the Beauty of the Lord, 14)

While it may be uncomfortable for those of us in the Protestant realm to pray and worship with images of god – even Orthodox icons – our current age, profuse with images, is slowly warming us to the idea that what we see must play a larger role in who and how we worship. In this idea of visio divina - that pictures can enhance and deepen our experience of read scripture – we find a more humanly holistic approach. Ears and eyes do not function solo but in concert.

Is it possible that the physical light, bounding to and fro, bouncing from painting and sculpture and photograph and in through the “windows” of our bodies, is easily converted by the Spirit into spiritual light? The kind of light that not only enlightens the retina, but also the human spirit? Perhaps this is one of the connections Jesus was making.

Tell me again why we pray with our eyes closed?

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Someone Said

In a memorable episode in Hindu mythology, the great God Śiva and the Goddess Pārvatī are sporting in their high Himalayan home when, in play, Pārvatī covers Śiva’s eyes with her hands. The whole universe is suddenly plunged into darkness. When Śiva’s eyes are closed, there is no light anywhere, except the fire of Śiva’s third eye, which threatens destruction. The all-seeing gods are said never to close their eyes, and from the near-disaster of Śiva and Pārvatī’s play, it is clearly a good thing that they don’t, for the well-being of the world is dependent on the open eyes of the Lord…

… In the Hindu view, not only must the gods keep their eyes open, but so must we, in order to make contact with them, to reap their blessings, and to know their secrets. When Hindus go to the temple, their eyes meet the powerful, eternal gaze of the eyes of God. It is called darśan, “seeing” the divine image, and it is the single most common and significant element of Hindu worship.” (p.1)

From the preface to the second edition of Darśan: Seeing the Divine Image in India by Diana L. Eck.

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What the Spirit Sees

Visio Divina is based on the principle that art can transport – both the artist and the viewer.

When a pleasant afternoon among the pretty pictures turned frightening, I began to value the (sometimes unsettling) power of art. Wandering among strange, brown sacks suspended from the ceiling in a modern art museum, I pondered, “Is it a collection of punching bags?” Suddenly, I came to the realization that I was caught in something depicting a forest of hanging, human corpses, and, with heart pumping, I quickly discovered how hard it is to move with the sophisticated dignity of a museum-goer when filled with a desire to run for your life. Engaging with the art of others can be a powerful experience.

Of course, if you’re brave, you can go to a nearby gallery but here are some other ways to reflect on the art of others:

The Google art project invites you to choose an international museum and go for a virtual tour. From the comfort of your own home, you can zoom in close enough to see brush strokes on your favorite works from all over the world.

Through his video diary and close-ups of the finished work, explore how icon artist, Jim Janknegt brought to life the Rich Fool Parable.

Read the Through Artists’ Eyes books which explore bible-inspired painting, sculpture and stained glass.

On the other hand, I’ve also been caught off guard in my own (albeit humble) creative process. Despite the fact that I was the one who instigated this second instance of “a pleasant afternoon” in the presence of art, yet again, the art ended up calling the shots. This time it was more surprising because I was the one holding the brush. I had been commissioned to create a work for a friend’s Easter services and wanted to express the loneliness of Christ on the cross. With fat swipes of greenish-gray across his cheekbone, I tried to express Jesus’ nausea and loneliness, stranded between heaven and earth. And in the midst of all the layers of paint, I found a fine, fair hair had made its way from my own head. My first instinct was to pluck it out but it seemed more fitting to leave it, as a testimony to my own part in His loneliness. And, in acknowledgement of that truth, my tears mingled in the paint and remain dried into that image to this day.

Taking part in your own expression of art can also be transforming.

Here are ways to encounter truth through your own creative endeavors:

Try this simple, collage journaling exercise:
If you can avoid getting drawn into the advertisements, flipping through magazines or old books can be quite a contemplative experience. Begin with a general sense of something you’d like to process or express and tear out words or images which your eye is drawn to. It’s a kind of Rorschach test without the inkblots as you discover that certain themes emerge in your collection–maybe you’re feeling free so you clip images of butterflies or you’re trying to make a big decision so you clip question marks and words like “Direction.” Flip through the scraps you’ve chosen and think about how to bring them together into a story or image.

I created this collage as a kind of art therapy to process a trip to the bed-side of a dying family member which also involved non-stop rain and floods and raised the question, “Where is home?”

Artist, C. Pic Michel, has created a similar exercise for groups.

Flip through this online gallery of Christian artist’s self-portraits to see what their work means to them.

If you feel a little insecure about your artistic abilities, try the scribbler site (or app) and watch what one scribble can become.

Watch this inspiring video about the tradition of contemplative sand drawing from the Pacific Islands of Vanuatu. Hear how, in their culture, drawing allows one to enter Paradise.

Look into Sybil MacBeth’s Praying in Color book and website.

What has your spirit seen?

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Someone Said

Once the selection [of an image] is made, one need not research the picture or the artist, though that does not hurt appreciation. Instead, the goal is to connect with the image by simply looking, waiting patiently until links are established. To attend to art in prayer, one must believe that artists, at least the great ones, communicate some truth about creation or the human condition. Art can draw one out of oneself and into a liminal state of openness and responsiveness to God’s spirit. That is something I have experienced, and the hope of finding it again compels me to search out art in books, in churches, online and in museums.

Images send subliminal messages, as advertisers well know. Why not make time to look contemplatively at images that matter, take them in, let them have their way with us, so to speak. Like music keenly heard, art can also usher us into a spiritual realm where we can see the presence of God. It is right here in our midst.

Karen Sue Smith, “Artful Contemplation: Praying with Art during Lent and Easter,” America Magazine, March 3, 2008

 

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